Mendelssohn: Symphonies Nos. 1 & 3

Performing with: Swedish Chamber Orchestra

Having begun their collaboration in 1997, the Swedish Chamber Orchestra and its conductor laureate Thomas Dausgaard have developed an unusually tight partnership. Nowhere is this demonstrated more clearly than in their cycles of the symphonies of Schumann, Schubert and, most recently, Brahms – performances which have been characterized by reviewers as variously ‘fresh’, ‘vivid’, ‘transparent’ and ‘invigorating’.

Of Mendelssohn the team has previously recorded the incidental music to A Midsummer Night’s Dream, a release described as ‘capturing Mendelssohn’s inimitable spirit’ on the website Crescendo. The same disc included The Hebrides, and now the SCO and Dausgaard return to Scotland, with Mendelssohn’s ‘Scottish’ Symphony. This was begun in 1829, after a stay in London during which the composer conducted his Symphony No. 1, also included on this disc. Mendelssohn’s imagination was often fired by impressions from nature, and Scotland was the Romantic landscape par excellence, celebrated for its rugged Highland scenery and melancholy tunes. ‘I think that today I found the beginning of my ‘Scottish’ Symphony’, he wrote to his parents after a visit to the ruined chapel at Holyrood Palace in Edinburgh. It took more than a decade for him to complete the symphony – but ever since its first performance, in 1842, it has been a staple of the symphonic repertoire.


Mendelssohn: Symphony No. 1 in C minor, Op. 11
I. Allegro di molto
II. Andante
III. Minuetto. Allegro molto
IV. Allegro con fuoco

Mendelssohn: Symphony No. 3 in A minor, Op. 56 ‘Scottish’
I. Andante con moto – Allegro un poco agitato
II. Vivace non troppo
III. Adagio
IV. Allegro vivacissimo – Allegro maestoso assai


“Symphony No. 1, composed at the age of 15, is carried away with panache by an energetic but always precise gesture supported by total flexibility. Symphony No. 3 is also a great success for its dramatic power and the quality of the instrumental production. It is fundamentally the breath of romanticism that runs through this musical epic. …Superbly recorded, this album is a great success.”

Pierre-Jean Tribot

Crescendo Magazine